A Dreamer Walking

Joe Wright- An Observation- Telling a Story

Posted in Uncategorized by Jacob on March 5, 2013

Joe Wright is one of those filmmakers who likes to let his audience know he is telling a story. At the beginning of Pride and Prejudice the main character Elizabeth is reading a book, which Wright described as the beginning of the story she is about to go on. In Atonement the first thing we see is Briony typing out the last part of her play. At the end of the story we find out she is in fact the author of the story we are watching. The Soloist revolves around a group of articles the main character Steve Lopez wrote for his newspaper.  Hanna was described by Wright as a sort of fairytale and we see Wright express this motif constantly; through the main character Hanna reading out of the Brothers Grimm book, the way Wiegler dresses in green and red to resemble a witch, and the fact the whole third act takes place in a deserted circus land which resembles something you would see in a classic fairytale. In Wright’s latest feature Anna Karenina he goes a step further in making it obvious what we are seeing is made up. He fictionalizes the story by setting it in a theater. Wright makes it obvious the actors are on the stage when performing.  Instead of cutting to another scene we at times see prop men come out and change the location in front of our eyes. We even have scenes take place in the prop room, backstage, and up on the catwalks.

If you really think about it most films have very little resemblance to real life. Even the ones based on true stories are completely manipulated in order to express a curtain view. Whether these views are of substance, accurate, or worth your time has everything to do with the storyteller. Joe Wright is a master at using the tools of cinema to manipulate the audience’s view. Wright doesn’t even try to hide this fact. He wants you to understand you are watching a story and not reality. He tells you this through the way he composes shots,  uses music, and edits his films. In fact every time a filmmaker chooses to make a cut, use a curtain angle, or bring in music he is manipulating the audience’s emotions. Wright just is a master at it. His job as a filmmaker is not to tell the literal truth, it is to use the tools of manipulation he has at his disposal to tell the emotional truth of his story.

 “A storyteller is someone who hides the truth in fiction so you can see it better”
Steven Parolini

This is one of the best explanations of a filmmaker’s job. We have the power to send people off to lands where gods and giants rein, to galaxy’s light years away, or to worlds that resemble ours but have toys come to life and animals talk. Wright makes no attempt to make you believe what you are seeing is real. He understands the power of the audience understanding they are watching a story. He wants to exaggerate what we see in real life and create an experience. His job is to understand the heart of his story to such a great extant he could manipulate whatever he needs in order to make the heart of his film resonate with the audience. Wright has experienced life. His films are proof of this.The heart of his stories come from a real and truthful place in his heart.

The reason films like Hanna, a story of a child trained assassin, or Pride & Prejudice, a 17th century drama, resonate with the audience is because they go beyond their genre and show universal truths. Whatever Wright thinks he needs to peel away in order to express those truths more clearly he will take away. It is why we see such impressionistic work in a movie like Anna Karenina. Wright felt the story of lust and love would work better if he heightened the surroundings. He uses extreme color schemes in order to express the emotions of the story and his characters. In the movie Wright does not waste time cutting to different scenes. He has many of the sets change in front of our eyes because his characters’ lives are in constant flux. In Wright’s films we follow his characters’ emotional arcs. The surrounding is completely changeable depending on where his characters are emotionally.

Telling a story requires a lot of talent and technique to get it right. The director needs to be thinking about the framing, music, lighting, sound design, costumes, actors, camera movement, how all those things contribute to the scene, and how the scene contributes to the whole, through out the whole filmmaking process. This takes a lot of devotion and study to get right. You will not get someone who is interested in putting in the countless hours of time and effort unless he is completely devoted to telling the story he has to tell. Joe Wright is a storyteller and his art is telling a story. No wonder he likes acknowledging this in his films from time to time. Yet, Wright doesn’t care whether you catch his acknowledgments. He actually wants you to get so interested in his worlds and so close to his characters you get completely invested in the story. He wants to reveal to you the wonders of the worlds he creates and the emotions of his characters. He wants to tell you a story you will never forget.